I have always knew that haiku is the poem of perception, usually fueled by a visual resource. But it turns out that capturing the sound in the aesthetics of haiku is a fact that is not solved by a Nobel Primo for its poetic range, it is solved by the power of simplicity. Perhaps it is a pact: man liberates his hearing, his vision ... he lets flowing everything, and nature accentuates the phenomenon, the essence to be able to enter the interior of the Bashoo's poem. 'Luz de luna' invites you to a night of haiku where the restlessness of the poet Osmari García Reyes is unlimited, juicy, naive, on fire. These are some of the characteristics that define the author of these short texts, with a Japanese spirit, at an interesting stage in his life. The moment that occurs here reveals the historical present of this author, since flowers, birds, gourds, 'la guácima' ... are elements that surround the world of haijin.